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	<title>junu ahn</title>
	<link>https://unuj.cargo.site</link>
	<description>junu ahn</description>
	<pubDate>Mon, 29 Dec 2025 07:42:02 +0000</pubDate>
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		<title>NIke Korea - Own The Floor</title>
				
		<link>https://unuj.cargo.site/NIke-Korea-Own-The-Floor</link>

		<pubDate>Wed, 05 Oct 2022 11:42:21 +0000</pubDate>

		<dc:creator>junu ahn</dc:creator>

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		<title>Rose &#38; Baz Luhrmann in conversation, Vogue Austrailia</title>
				
		<link>https://unuj.cargo.site/Rose-Baz-Luhrmann-in-conversation-Vogue-Austrailia</link>

		<pubDate>Thu, 21 Dec 2023 14:08:54 +0000</pubDate>

		<dc:creator>junu ahn</dc:creator>

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		<title>WM</title>
				
		<link>https://unuj.cargo.site/WM</link>

		<pubDate>Mon, 29 Dec 2025 07:42:02 +0000</pubDate>

		<dc:creator>junu ahn</dc:creator>

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		<description>wm fw 2024 campaign &#38;amp; lookbookCreative direction&#38;nbsp;photographed by jinwoo park
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		<title>Dawn - Stupid Cool</title>
				
		<link>https://unuj.cargo.site/Dawn-Stupid-Cool</link>

		<pubDate>Tue, 25 Oct 2022 05:37:34 +0000</pubDate>

		<dc:creator>junu ahn</dc:creator>

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		<title>Deleted @ WHISTLE GALLERY</title>
				
		<link>https://unuj.cargo.site/Deleted-WHISTLE-GALLERY</link>

		<pubDate>Sun, 07 Feb 2021 14:59:52 +0000</pubDate>

		<dc:creator>junu ahn</dc:creator>

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		<description>Deleted



	
&#60;img width="1600" height="1000" width_o="1600" height_o="1000" data-src="https://freight.cargo.site/t/original/i/8342c84564614f7fb4a2798e997bb9e6864753c0d6f246b5b6bab444ea69377c/installation-view_deleted2.jpg" data-mid="98071049" border="0"  src="https://freight.cargo.site/w/1000/i/8342c84564614f7fb4a2798e997bb9e6864753c0d6f246b5b6bab444ea69377c/installation-view_deleted2.jpg" /&#62;
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Whistle Gallery / 2019
Group exhibition with Ram Han&#38;nbsp;
As digital platforms become the primary method of communication, contemporaries share and collect messages and images more than ever. How are we digesting the reproduced images and narratives on the screen? «Deleted» focuses on Ram Han and Junu Ahn’s process of recording instantaneous experiences captured within the digital community. In a painterly manner, both artists compile objects and creatures associated with individual tastes on to a single surface through computer programs. Irregularly emerging memories are deleted or superimposed in the final result and rearranged within a frame.Digital paintings by Ram Han, who also works as an illustrator, portray the state of people, animals, plants, and objects as narrative. The elements constructing the image are psychedelic in color, imposing an unrealistic and artificial read, but also serves as a clue evoking a particular scene from a faint memory. The artist borrows rendering techniques from animation to embody water, smoke, and light, which guides the viewer to fantasy experience. &#38;lt;Souvenir 04 (Cockpit)&#38;gt;, fourth of Han’s light panel series &#38;lt;Souvenir&#38;gt; conceived in 2018, is inspired by romantic decadence and crashing aircraft.Junu Ahn is currently an art director for a Hong Kong fashion company and works mainly with photos and videos collected through the internet. Ahn replicates in groups the vast amount of poor images1 stored on his cell phone and computer or mixes them with snapshots of everyday moments that he partly deletes. Digitally printed works on paper such as &#38;lt;Sour Times&#38;gt; and &#38;lt;Unforgiven&#38;gt; discombobulate the overpopulation felt in the internet environment with feelings directly experienced in reality. Video work &#38;lt;Selfie as Monkey in the Internet Jungle&#38;gt; is reminiscent of the dissipation process of digital debris, where excavated images from mass media such as cartoons, memes2, video games, and photographs are converted and intersected as they disappear.The works of the two artists are like pictures of imagination. Portrayed directly or indirectly is a modern man who shares countless data and exposed to the internet. Is the real-world experience remembered more accurately than the flat experience through the screen? Individuals recollection of the boundary between fact and fiction collapse through repetition of saving and delete.
디지털 플랫폼이 현대인의 주요 커뮤니케이션 수단으로 자리 잡으면서 사람들은 더 많은 메시지와 이미지들을 나누고 수집한다. 우리는 스크린 속 재현된 장면들과 이야기들을 어떻게 소화하고있을까? «Deleted»전에서는 람한, 안준우 작가가 디지털 사회 안에서 포착하는 순간적 경험을 작업에 기록하는 과정을 살펴보고자 한다. 두 작가는 공통적으로 개인의 취향과 연결된 사물과 생명체를 컴퓨터 프로그램을 통해 회화적으로 하나의 화면 안에 담는다. 불규칙적으로 떠오르는 기억의 일부는 최종 결과물에서 삭제되거나 중첩되어 한 프레임 안에 재배열 된다.일러스트레이터 활동을 병행하는 람한의 디지털 페인팅에는 사람과 동식물 그리고 사물들의 상태가 서술적으로 묘사되어있다. 작품을 구성하는 요소들은 사이키델릭한 색채로 표현되어 비현실적이고 인공적으로 읽히나 희미한 기억 속 특정 장면을 환기하는 단서가 된다. 작가는 주로 에니메이션에 사용되는 표현기법들을 작업에 차용하는 데 이를 통해 형상화한 물, 연기, 빛 등은 보는 이에게 판타지적 체험을 유도한다. 그가 2018년부터 라이트 패널로 제작한 &#38;lt;Souvenir&#38;gt;의 네 번째 연작, &#38;lt;Souvenir 04 (cockpit)&#38;gt;는 세기말적 낭만과 추락하는 비행체에서모티브를 얻어 그렸다.안준우는 현재 홍콩 패션 기업의 아트디렉터로 재직 중이며 인터넷을 통해 수집한 사진과 영상들을 주재료 삼아 작업한다. 작가는 휴대폰과 컴퓨터에 저장한 방대한 양의 빈곤한 이미지들1을무리 지어 복제하거나, 부분을 삭제한 후 실제로 촬영한 일상의 순간들과 뒤섞는다. &#38;lt;Sour Times&#38;gt;와 &#38;lt;Unforgiven&#38;gt;과같이 종이에 출력한 작품들은 작가가 인터넷 환경에서 경험한 과포화 된 감정과 현실에서 직접 경험한 감정들이 혼란스럽게 놓여있다. 영상 작업 &#38;lt;Selfi as Monkey in the Internet Jungle!&#38;gt;은 디지털 파편들이 소멸하는 과정을 연상케 하는데 만화, 밈2 (meme), 비디오 게임, 사진과 같은 대중매체로부터 발굴한 이미지들이 변환되어 서로 교차하면서 사라진다.두 작가의 작업은 일종의 공상화와 같다. 무수한 데이터를 공유하고 온라인에 노출된 현대인의 모습이 직간접적으로 작품 안에 기록되어 있다. 실질적 경험은 스크린을 통해 접하는 납작한 경험보다 더 뚜렷하게 기억되는 것일까? 개개인이 기억하는 사실과 허구의 경계는 반복되는 저장과 지우기를 통해 무너진다.1.The poor image is a copy in motion. Its quality is bad, its resolution substandard. As it accelerates, it deteriorates. it is a ghost of an image, a preview, a thumbnail, an errant idea, an itinerant image distributed for free, squeezed through slow digital connections, compressed, reproduced, ripped, remixed as well as copied and pasted into other channels of distribution. Hito Steyerl, The Wretched of the Screen, Sternberg Press, 2012, p.32빈곤한 이미지는 움직이는 사본이다. 화질은 낮고, 해상도는 평균이하. 그것은 가속될수록 저하된다. 빈곤한 이미지는 이미지의 유령, 미리보기, 섬네일, 엇나간 관념이다. 그것은 떠도는 이미지로서 무료로 배포되고, 저속 인터넷 연결로 겨우 전송되고, 압축되고, 복제되고, 리핑되고, 리믹스되고, 다른 배포 경로로 복사되어 붙여넣기 된다. 히토 슈타이얼, 『스크린의 추방자들』, 김실비 역, 서울: 워크룸프레스, 2018, 41쪽2 An image, video, piece of text, etc., typically humorous in nature, that is copied and spread rapidly by Internet users, often with slight variations. Oxford Dictionaries.밈은 인터넷 상에서 재미를 목적으로 만들어진 특정 메시지가 담긴 그림, 사진, GIF와 같이 짧은 영상들을 지칭한다.

&#38;nbsp;

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	<item>
		<title>Birkenstock x Rick Owens x Oh Hyuk</title>
				
		<link>https://unuj.cargo.site/Birkenstock-x-Rick-Owens-x-Oh-Hyuk</link>

		<pubDate>Tue, 09 Feb 2021 08:13:16 +0000</pubDate>

		<dc:creator>junu ahn</dc:creator>

		<guid isPermaLink="true">https://unuj.cargo.site/Birkenstock-x-Rick-Owens-x-Oh-Hyuk</guid>

		<description>
Birkenstock x rick owens - “a conversation with oh hyuk”
art direction
online editorial 2019

click to view the “A conversation with Oh Hyuk” editorial






</description>
		
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	<item>
		<title>wavybaby</title>
				
		<link>https://unuj.cargo.site/wavybaby</link>

		<pubDate>Mon, 29 Dec 2025 07:21:23 +0000</pubDate>

		<dc:creator>junu ahn</dc:creator>

		<guid isPermaLink="true">https://unuj.cargo.site/wavybaby</guid>

		<description>
</description>
		
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	<item>
		<title>lumpen @ ONE &#38; J GALLERY</title>
				
		<link>https://unuj.cargo.site/lumpen-ONE-J-GALLERY</link>

		<pubDate>Sun, 07 Feb 2021 15:00:35 +0000</pubDate>

		<dc:creator>junu ahn</dc:creator>

		<guid isPermaLink="true">https://unuj.cargo.site/lumpen-ONE-J-GALLERY</guid>

		<description>
In a technical sense, a glitch is the unexpected result of a malfunction, especially occurring in software, video games, images, videos, audio, and other digital artefacts.

Glitch / Deformation is the medium for me to depict &#38;amp; recreate the world. 
a digital error is a 'mishappening' - a phenomenon that disconnects the viewer from the context the of the feed. I wanted to use this medium to depict and make conversation about the contemporary society. The contemporary society is so unique in its quality. We are living in age of uber development in technology and the speed of this development is so fast that it is speeding up the conception of time. New technology is made obsolete as soon as it's out on the market with the following product. Everything is connected via world wide web, and the internet culture has created new modes of expression and experience - joy, anger or anxiety from internet experience or even a relationship. These experiences are new to everyone because this culture or technology has never existed before. These concepts are unique to the contemporary age as is the glitch - it exists uniquely as a product of present time.


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	<item>
		<title>Cava Life x The Selects</title>
				
		<link>https://unuj.cargo.site/Cava-Life-x-The-Selects</link>

		<pubDate>Thu, 11 Dec 2025 04:04:02 +0000</pubDate>

		<dc:creator>junu ahn</dc:creator>

		<guid isPermaLink="true">https://unuj.cargo.site/Cava-Life-x-The-Selects</guid>

		<description>



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	<item>
		<title>?</title>
				
		<link>https://unuj.cargo.site/38035949</link>

		<pubDate>Fri, 12 Dec 2025 05:03:31 +0000</pubDate>

		<dc:creator>junu ahn</dc:creator>

		<guid isPermaLink="true">https://unuj.cargo.site/38035949</guid>

		<description>
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